Jewellery Knowledge

Replacement Wedding Rings: Use the Original Specifications as a Starting Point
Gather the surviving recordIf a wedding ring is missing, begin with the original order information, product reference and clear photographs. For gold wedding rings, useful details include metal fineness and colour, width, profile and engraving. A remembered size alone cannot recreate the whole design. Keep confirmed specifications separate from estimates so the jeweller can see which details still need resolving before proposing a replacement.Reassess the fit todayEven if the old size is documented, arrange an appropriate fitting assessment for the replacement. Explain the original width and interior profile, because two... Read more...
Single Earrings and Pairs: Read the Purchase Unit Before the Carat Weight
Establish the purchase unitAn earring photograph may show a pair, one ear or several styling combinations. Start by finding the written statement of what the selected option contains. For diamond earrings, one product listing does not automatically mean two physical earrings. Confirm the purchase unit before using price or weight to compare it with another design or deciding how many units to order.Match each number to that unitAsk whether the stated price and diamond weight apply to one earring or the pair supplied. Check the quantity control separately: ordering quantity... Read more...
Invisible Settings: Hidden Metal Still Supports the Stones
Understand what is hiddenIn an invisible setting, specially prepared stones can engage a supporting framework largely concealed from the main view. The absence of obvious prongs does not mean the stones have no metal support. When comparing diamond rings, ask how the actual design is assembled rather than interpreting a continuous surface as one large stone or a collection of unsupported gems.Read the stone arrangementA close view should help distinguish boundaries between individual gems. Ask for the stone count and total weight, with any principal stone identified separately. An uninterrupted... Read more...
Hinged Ring Shanks: Opening Space and Closed Fit Are Different
Distinguish the two positionsA hinged ring shank is designed to open and close as part of putting on or removing the ring. The space available when open and the fit when closed are different questions. When enquiring about gold rings with this construction, ask to see both positions rather than treating the largest opening as the wearable finger size.Request the operating sequenceHave the provider demonstrate the intended release and closure on the actual mechanism. Similar-looking shanks may operate differently. Identify what moves, where it should come to rest and how... Read more...
Laser-Drilled Diamonds: Treatment Is Different from an Inscribed Number
Distinguish two laser usesLaser drilling can create a narrow channel used to reach a dark inclusion as part of clarity treatment. A laser inscription, by contrast, can place identifying text on a diamond's surface. These are different operations. For diamond rings, the presence of an inscribed report number should not be interpreted as evidence that the diamond has been laser drilled.Ask a direct treatment questionIf drilling is mentioned, request the disclosure applicable to the actual stone and keep it with the report. Do not rely on the general phrase enhanced... Read more...
Indented Naturals: A Diamond Feature with a Particular Meaning
Separate the feature from originAn indented natural is a remnant of a rough diamond's original surface that extends below the polished surface. In a report, it names a particular characteristic. It is not a replacement for the direct statement identifying growth origin. When reading about diamond rings, keep feature terminology and the natural or laboratory-grown disclosure in separate parts of your notes.Locate it on the actual stoneAsk the jeweller to identify the characteristic and explain how it relates to the finished outline. A general reference image can help with vocabulary... Read more...
Diamond Feathers: Ask About Location Before Drawing a Conclusion
Begin with the meaningFeather is a trade term for a break in a gemstone, often with a feather-like appearance. In a diamond description, the word should prompt a question about the individual characteristic rather than an immediate conclusion about the whole ring. When comparing diamond rings, ask where the feather is and how it has been assessed in that particular stone.Separate appearance from assessmentA magnified photograph can make a feature look dominant without establishing its significance at normal viewing distance. Equally, not noticing it in a photograph cannot establish that... Read more...
Diamond Clouds: A Clarity Term Does Not Describe Every Hazy View
Understand the termA cloud is a grouping of very small pinpoint inclusions that together can have a hazy appearance under magnification. The term describes a clarity characteristic, not a diagnosis of every pale or soft-looking diamond photograph. When comparing diamond rings, identify whether cloud appears in a report, a seller's description or simply your own impression of an image.Ask about the individual appearanceRequest an explanation of the characteristic in the actual stone and whether it affects the appearance you are considering. A report word does not communicate every aspect of... Read more...
Four or Six Prongs: Compare the Outline Around a Round Diamond
Observe the visible rhythmFour prongs and six prongs organise the outline of a round stone differently. Their placement changes where metal interrupts the circumference and can affect how the shape reads at wearing scale. For round engagement rings, compare similarly framed images rather than deciding from the count alone. Prong thickness, shape and position matter alongside the number.Look at the tips and seatsAsk for a close view showing how each prong meets the diamond, then a side view of the whole head. A photograph can explain the arrangement, but a... Read more...
Graduated Diamond Bracelets: Compare the Sequence, Not Only the Total
Follow the progressionIn a graduated bracelet, stone sizes change along the composition rather than remaining visually uniform throughout. The sequence may draw attention towards a larger central area. When comparing diamond bracelets, request a full laid-out view so you can see where the changes begin and how they continue towards the fastening, rather than judging only the largest stones.Separate the weight figuresAsk whether the description provides the largest stone weight, total diamond weight or both. A total does not reveal how that weight is distributed. Two bracelets with similar totals... Read more...
Y Necklaces: Measure the Junction and the Drop Separately
Locate the junction firstA Y necklace brings two upper lines towards a point from which a lower section descends. That junction determines where the vertical detail begins. When looking for a gold necklace with this shape, ask for the upper wearable length and drop below the junction separately. A single overall length can leave the position of both details unclear.Ask which parts can moveConfirm whether the junction is fixed, sliding or otherwise adjustable in the particular design. A Y-shaped photograph does not establish the mechanism. If adjustment is offered, request... Read more...
Necklace Extenders: Check Both Connections Before Adding Length
Treat the extension as another componentA separate extender adds a section between the ends of a necklace. It also creates connections that must work with the original clasp and end fitting. Before adding one to a gold necklace, confirm both interfaces with the provider. A matching metal colour and a useful length do not establish that the parts form a suitable combination.Identify the usable added lengthAsk which points are intended for fastening and how the added length is measured. A decorative tail or end bead may not belong within the... Read more...
Detachable Earring Drops: Confirm What Remains When the Drop Is Removed
See both finished configurationsA detachable drop is useful only when you understand the earring with and without it. Ask for images of both complete arrangements, including the reverse. For diamond earrings, check which stones remain in the base and which belong to the removable element. A photograph of loose components does not itself show how the shorter configuration looks when worn.Identify the intended attachmentRequest a demonstration of the connection and normal removal sequence. Some removable elements belong to a specific base rather than a universal fitting. Record the component reference... Read more...
Ear Climbers: Compare the Decorative Line with Its Rear Support
Follow the upward lineAn ear climber is designed to extend along the ear rather than simply hang beneath it. The decorative length and wearing position therefore need to be considered together. When comparing gold earrings in this form, ask for an image showing the whole ear and identifying the piercing used. A close crop can hide how the design is supported.Identify the rear constructionAsk to see the reverse and have the provider explain how it is meant to rest behind the ear. The visible front does not reveal whether the... Read more...
Omega Earring Backs: Check the Clip and Any Post Separately
Look behind the decorative faceAn omega-style back uses a hinged loop-like component behind the earring. The name describes that fitting, while the complete earring may also include a post. For gold earrings, request a rear view showing the open and closed positions. A loop seen at the back is not enough to establish that the design is intended for an unpierced ear.Confirm the wearing methodAsk the seller to identify every part that touches or passes through the ear and demonstrate the normal fastening sequence. Keep the distinction between a post... Read more...
Ring Enhancers: Check the Centre Ring Inside the Frame
Start with the complete pairingA ring enhancer is intended to frame or accompany a centre ring, sometimes on both sides. Its appearance depends on the ring placed within it. When considering diamond wedding bands in this format, compare the assembled combination rather than selecting a frame in isolation. The opening is a functional part of the composition, not simply empty space.Check the assembly routeAsk how the pieces are put together and removed. The centre setting may need clearance through an opening, while the band and shoulders need room in their... Read more...
Bypass Rings: Read How the Two Shoulders Pass the Centre
Trace the shoulder linesIn a bypass design, the shoulders sweep past one another around the central area rather than arriving as a simple straight pair. This gives gold rings a sense of directional movement. Begin by following each line from the lower band towards the top. The relationship between those paths can be more revealing than the number of decorative details.Count stones separatelyA bypass composition may be organised around different stone arrangements or metal forms. Two stones alone do not establish that a ring is a bypass, just as sweeping... Read more...
Illusion Settings: Identify Where the Diamond Ends and Metal Begins
Locate the stone boundaryAn illusion setting can use shaped reflective metal around a diamond to extend its apparent outline. The visible bright area therefore need not be entirely gemstone. When browsing diamond stud earrings, distinguish the stone's dimensions from the dimensions of the complete head. Both can matter to the appearance, but they describe different parts of the piece.Read weight alongside measurementsCarat weight describes diamond weight, not the size of a reflective metal surround. Ask whether a stated diameter refers to the stone, setting or whole earring face. For a... Read more...
Tension Settings: Ask What Holds the Diamond in Position
Separate effect from constructionA tension setting holds a gemstone through pressure from opposing parts of the metal structure. The result can suggest a stone suspended in open space. Yet a similar appearance may be created by a different construction. For diamond rings described as tension-style, ask what physically retains the stone instead of treating a floating impression as a complete explanation.Request the revealing angleA view from beneath the centre can reveal a bridge or support that is unobtrusive from above. Ask the jeweller to describe that component and its role.... Read more...
Shared-Prong Diamond Bands: Follow the Metal Between the Stones
Find the shared supportIn a shared-prong arrangement, a prong can help retain two neighbouring stones. This creates a different pattern of metal between the diamonds from an arrangement with separate supports around each one. When comparing diamond wedding bands, look closely at the spaces between the stones as well as the line they form across the finger.Read the underside tooA front view can make several setting constructions look similar. Ask for a side and underside view, then have the jeweller identify the actual supports. Count neither bright reflections nor dark... Read more...
Ring Sizing Beads: Added Interior Metal Is Not a Resized Shank
Understand what is addedSizing beads are small additions of metal placed inside a ring in suitable circumstances. They alter the usable space against the finger without being the same intervention as changing the shank's circumference. When enquiring about gold wedding rings, describe the fit problem first. The presence of extra interior metal is not a universal promise of a particular size reduction.Explain the way the ring behavesTell the jeweller whether the issue is movement at the base of the finger, difficulty passing over the knuckle or a change in fit... Read more...
French Wire at a Pearl Clasp: A Small Coil with a Specific Job
Locate the small coilFrench wire, also called gimp, is a fine coiled material used to cover thread where it passes over a clasp or finding. It helps protect that contact area from abrasion and can conceal the thread. In pearl jewellery, this small loop near the fastening is a construction detail, not necessarily a decorative chain or a metal setting around a pearl.Distinguish the neighbouring partsA pearl strand may include knots, thread, end connections and a clasp, each serving a different purpose. Identifying a protective coil does not explain the... Read more...
Barrel Clasps: A Shape Name Does Not Explain How to Open It
Look beyond the outer shapeBarrel describes the appearance of a clasp, but similarly shaped fastenings can use different opening mechanisms. Some screw together; others use a different insert or locking arrangement. For a gold necklace, ask how the actual clasp works rather than assuming that a cylindrical surface should be twisted, pulled or pressed in the same way as another piece you own.Request an opening demonstrationA useful demonstration shows the starting position, the moving component and the normal sequence for separating the ends. Watch which part is held still and... Read more...
Trapiche Emeralds: A Fixed Pattern Is Different from a Moving Star
Follow the position of the spokesA trapiche emerald can show a spoke-like pattern that remains fixed within the material. That distinguishes it from a star produced by asterism, which appears to move as the light or stone moves. In gemstone jewellery, a star-shaped image is therefore not enough to explain the effect. Ask whether the description concerns a fixed internal pattern or an optical reflection.Request a movement viewA short video should show the same stone under a clearly identified light source, with gentle changes of angle. Follow the spokes in... Read more...
Padparadscha Sapphire: A Colour Name Needs Supporting Wording
Keep the term attached to sapphirePadparadscha is associated with a pink-orange to orange-pink colour appearance in sapphire. It is not a general substitute for peach-coloured gemstones of every kind. When comparing gemstone jewellery, first establish that the stone is sapphire and read exactly how the seller uses the name. A warm pastel photograph is not enough to confirm the description on its own.Read the laboratory opinionGIA states that it indicates on an appropriate coloured-stone report when a sapphire meets its criteria for the padparadscha description. If a report is supplied,... Read more...
Aquamarine and Blue Topaz: Similar Colour, Different Minerals
Separate blue from the mineral nameAquamarine is the green-blue to blue variety of beryl. Blue topaz is a different material, even where two particular stones appear similar in a photograph. When browsing gemstone jewellery, a pale blue colour is a starting preference rather than an identification. Look for the direct material statement before comparing what you like about the individual pieces.Ask about treatment informationMaterial identity and treatment are separate parts of a complete description. A colour name alone cannot establish that a stone's blue is untreated, and one material's care... Read more...
Colourless Sapphire and Diamond: A Pale Appearance Is Not an Identity
Start with the material statementSapphire can be colourless as well as coloured. A colourless sapphire remains corundum; it does not become diamond because it looks pale or is used in a similar design. When comparing gemstone jewellery, identify the material explicitly rather than treating a clear-looking stone as an unlabelled diamond or using a setting style to decide what it contains.Separate comparison languageA seller may compare the appearance of one gem with another. Such wording can describe a visual intention without changing the actual material. Locate the direct specification and... Read more...
Rough and Polished Carat Weight: Record Which Stage Was Weighed
Identify the object being weighedCarat is a unit of weight used for gemstones, but a number still needs an object and a stage. A rough crystal and a polished gem fashioned from it are not the same weighed item. When comparing gemstone jewellery, establish whether a quoted weight describes the finished stone, the starting rough or a group of stones before doing anything with the figure.Do not calculate an assumed resultShaping, cutting and polishing remove material, and a rough piece may produce more than one finished stone. There is no... Read more...
Fantasy-Cut Gemstones: An Unusual Outline Is Only One Possibility
Ask what has been changedFantasy cutting is a broad description for artistic approaches to shaping and faceting gemstones. GIA includes unusual outlines with conventional faceting and familiar outlines with concave faceting within this area. In gemstone jewellery, the phrase therefore needs explanation. It does not automatically mean a freeform outer shape, and it is not the name of a mineral.Look beyond the silhouetteA stone may have a recognisable oval or rectangular outline while using curved facets or polished grooves to organise reflections. Request views from several directions and ask which... Read more...
Briolette Drops: Look Around the Stone, Not Only at Its Front
Read the three-dimensional formA briolette is a drop-like gemstone form with faceting around its surface. Its appearance differs from a conventional pear-shaped gem organised around a broad face and pavilion. When looking at gemstone jewellery, ask for a turning view rather than relying on a single outline. Two stones can both suggest a teardrop while presenting their facets quite differently in space.Locate the suspensionSome briolettes are drilled for attachment near the upper end. A historical example examined by GIA illustrates this arrangement, but the precise mounting must be checked on... Read more...
Half-Drilled Pearls: A Hidden Hole Does Not Mean No Attachment
Understand the drilling termA half-drilled pearl has a hole that does not pass all the way through the pearl. It can be used with an appropriate peg setting, leaving the attachment less visible from the front. In pearl jewellery, a photograph of an uninterrupted surface does not establish that no hole or attachment exists, and it cannot reveal the complete hidden construction.Separate drilling from pearl identityHalf-drilled describes preparation for assembly, not whether a pearl is natural or cultured, freshwater or saltwater. Those facts belong in the material description. Likewise, a... Read more...
Toggle Clasps: The Bar, Opening and Bracelet Fit Work Together
Recognise the two-part fasteningA toggle clasp commonly uses a bar that passes through an opening and then sits across it. The shape may form part of the visible design rather than disappearing beneath the wrist. For gold bracelets, ask to see both components and their intended closed relationship. A circular motif near a chain end is not enough to identify the fastening.Check the complete fitting sequenceA demonstration should show the actual bracelet being put on and the bar returned to its normal resting position. Notice whether the wearer has enough... Read more...
Charm Attachments: Open, Closed and Split Rings Are Different Parts
Inspect the connectorThe small ring between a charm and a bracelet is part of the construction, even if the decorative motif receives most of the attention. Open jump rings, closed rings and split rings have different arrangements. When comparing gold bracelets, request a close view of the actual connection rather than assuming that every circular component works like a miniature keyring.Use the terms carefullyAn open jump ring has a join that can be opened during assembly, while a closed ring forms a continuous connection. A split ring uses overlapping turns.... Read more...
Locket Dimensions: Exterior Size Is Not Photo Space
Start with the inside openingA locket's outside width and height describe its exterior, not necessarily the space available for a photograph. Borders, hinges, internal frames and the closure can occupy part of that outline. When comparing gold pendants that open, ask for the usable interior dimensions and the shape of the insert before preparing a photograph for the piece.Check what holds the imageAsk whether the locket has an insert, retaining frame or other arrangement, and request the supplied instructions. A photograph that fits inside the outer edge may still cover... Read more...
Leverback Earrings: Look at the Hinge Behind the Drop
Find the moving closureA leverback earring uses a hinged lever that closes against the ear wire. That fastening sits behind the decorative part of the earring and should be examined separately from it. When comparing pearl drop earrings, a clear front photograph may show the pearl beautifully while revealing little about the hinge, wire and closing point you will handle.Request the normal sequenceAsk for a demonstration of opening, putting on and closing the actual mechanism. Watch which part moves and where it meets the wire. Do not assume that a... Read more...
Inside-Ring Engraving: Decide Which Way the Message Reads
Define a reference viewAn inscription inside a ring can be turned over in the hand, so instructions such as upright or facing me may be ambiguous. For gold wedding rings, begin by agreeing how the ring will be held when the message is read. Use a simple reference photograph or sketch rather than assuming that another person imagines the same viewing direction.Identify a design featureA plain band may have no obvious front, while a ring with a setting or distinctive edge can provide a reference. Explain the relationship between that... Read more...
Dates for Ring Engraving: Remove Ambiguity Before Choosing a Font
Agree what the date meansA short date can be read differently by people accustomed to different day and month orders. Before planning an inscription for gold wedding rings, write the intended date in words and agree it with anyone involved. Only then decide how to shorten it. The most attractive arrangement still needs to communicate the day you actually intend to remember.Compare a few readable formatsYou might prefer a written month, a day-month-year sequence or another clearly explained arrangement. Place your alternatives on paper and read each without referring to... Read more...
Laser and Struck Hallmarks: The Marking Method Is a Separate Detail
Separate the mark from its applicationAssay offices offer traditional struck marking and laser marking. These are methods of applying marks to precious-metal articles. When looking at gold rings, the appearance of an impressed or outlined mark should not be treated as a different gold fineness in itself. Read the symbols and numbers together, and ask for help if a small photograph is unclear.Request a clear viewA shallow-looking mark may be difficult to photograph on a curved reflective surface. Ask for an image that shows the whole group of marks in... Read more...
Diamond Fire and Brightness: Coloured Flashes or White Light?
Give the two effects different namesDiamond brightness concerns reflected white light, while fire describes flashes of colour produced as light is dispersed. They can contribute to the same diamond's appearance without being interchangeable descriptions. In round diamond engagement rings, one close-up rainbow reflection does not establish how bright the stone will look across a whole day or how its cut should be graded.Identify the light sourceDifferent lighting arrangements can emphasise different effects. Compare images taken under similar conditions and request an ordinary movement view alongside any dramatic close-up. You do... Read more...
Diamond Crown and Pavilion Angles: Read the Pair Together
Locate each part of the diamondThe crown is the upper part of a diamond above its girdle, while the pavilion lies below it. Their angles describe different slopes, usually expressed in degrees. When comparing round engagement rings, locate both parts on the report diagram before comparing the figures. Neither angle is a measurement of the ring's height above your finger.Consider the relationshipThe way a diamond returns light depends on relationships between proportions, not one angle in isolation. GIA discusses crown and pavilion angles as interacting parts of round brilliant cut... Read more...
Obsidian: Natural Glass Is Still Glass
Use the description preciselyObsidian is volcanic glass. Its natural formation does not make it a crystalline mineral, and the word glass does not automatically mean a manufactured imitation. The US Geological Survey describes obsidian as dense volcanic glass, typically black. When reading about gemstone jewellery, this is a useful example of why natural origin and material structure should be considered separately.Avoid identifying by darknessA black polished pendant could contain several different materials. Colour and shine alone cannot distinguish obsidian from every other dark stone or manufactured glass. Ask what the... Read more...
Chrysoprase: A Green Chalcedony, Not a Jade Description
Begin with the material nameChrysoprase is a green variety of chalcedony, with its characteristic colour associated with nickel. The name identifies a material variety rather than a general shade for every smooth green gem. In gemstone jewellery, keep it separate from jadeite, nephrite and other green materials. Similar colour or a rounded polished shape does not make those names interchangeable.Compare the particular appearanceLook at the actual stone's colour distribution and how much light it transmits. A bright close-up against a pale background can create a different impression from the same... Read more...
Mystic Topaz: Ask About the Surface Creating the Rainbow
Separate the gem from the effectMystic topaz is a trade description associated with topaz carrying a thin surface coating that creates a multicoloured appearance. The rainbow effect and the underlying material are two parts of the description. When comparing gemstone jewellery, ask for both in writing rather than treating the trade name as a separate mineral or a promise of naturally occurring surface colour.Read the treatment wordingA description that says topaz without discussing the surface may leave an important question unanswered. Ask whether the item is coated and which parts... Read more...
Diamond Star Length: A Percentage About Facets Near the Table
Find the star facetsStar facets are part of the crown arrangement around a round brilliant diamond's table. Their name does not describe the outline of the whole stone. When comparing round diamond engagement rings, a star-length percentage concerns those facets and their proportions. It is not a statement that the diamond has been cut into a star-shaped silhouette.Understand the reference distanceGIA describes star length using a projected distance from the point of a star facet to the table edge, relative to the distance between the table edge and girdle edge.... Read more...
Hearts and Arrows: A Viewing Pattern Needs Its Own Explanation
Ask which view you are seeingHearts and arrows refers to a pattern seen in suitable round brilliant diamonds under particular viewing conditions. The hearts and arrows are associated with different viewing directions, not tiny symbols carved into the diamond. When browsing round diamond engagement rings, ask what equipment and orientation produced a pattern image and whether it shows the actual stone offered.Do not merge different labelsA report's symmetry assessment and a retailer's hearts-and-arrows description are not automatically interchangeable statements. Laboratories can issue different kinds of documentation, so read the exact... Read more...
Diamond Report Dates: Examination History Is Not a Condition Check
Read what the date recordsA diamond grading report records information from a laboratory examination. GIA's report guide identifies the report date as the date the diamond was examined. It is not automatically the date the stone was cut, set or first sold. When comparing gold diamond engagement rings, avoid treating one date as a complete timeline of the diamond and its finished setting.Separate later eventsA ring may have been assembled, inspected or photographed after the report was issued. Those are separate events, and a recently taken photograph does not amend... Read more...
A Diamond Report and a Jewellery Report: Check the Object Described
Find the subject of the reportA report may describe a loose diamond, selected stones or an item of finished jewellery, depending on the service. Before comparing laboratory diamond engagement rings, identify the physical object examined. A laboratory name on a document does not make all its services interchangeable. The title, description and stated limitations are part of the information you need to read.Match the description to the pieceCompare identifying details such as the report number, stone measurements and any image or item description supplied. Ask how that document relates to... Read more...
Diamond Facet Abrasion: A Surface Edge Is Not an Inclusion
Locate the featureGIA describes abrasion as minute scratches or pits along a facet edge that can create a fuzzy-looking line instead of a sharp junction. It concerns the surface boundary between facets. When looking at solitaire diamond rings, keep that location separate from an internal inclusion. A similar-looking pale mark on a screen does not, by itself, identify either kind of feature.Avoid diagnosing from brightnessA heavily enlarged photograph can show reflected edges, focus effects or surface residue as well as the stone itself. Describe where the line appears and whether... Read more...
Gemstone Windowing: When the Centre Looks See-Through
Describe the area you can see throughWindowing describes a region where a faceted gemstone allows you to see through it rather than returning light towards you in the same way as the surrounding areas. It can make the background unusually visible. In gemstone jewellery, this is a question about how light behaves in the cut stone, rather than a synonym for an inclusion or missing material.Compare the viewing directionA face-up view and a strongly tilted view can reveal different effects. Ask for a short video that begins directly above the... Read more...
Melee Diamonds: Small Stones Need Their Own Material Description
Start with the smaller stonesMelee is a trade term for small diamonds, often used as accents around a larger stone or along a band. GIA defines melee diamonds as weighing less than one fifth of a carat each. In pavé diamond rings, their size does not remove the need to know what they are. A detailed description should identify the smaller stones as well as the centre.Ask about growth origin separatelyA statement about a centre diamond does not automatically describe the surrounding diamonds. Ask whether the accents are natural or... Read more...